Streten’s early productions won him the triple j Unearthed slot at Sydney’s Field Day on January 1, 2012. The partnership would change everything for both artist and label.
Streten submitted the track for a Future Classic artist competition - it didn’t win, but they signed him anyway. If ‘Possum’ set the stage, ‘Sleepless’ was Flume’s breakout performance. What the track lacks in studio sheen, it makes up for in sheer exuberance - standing alone in Flume’s catalogue and setting a marker for the next eight years. “It made me realise this is the kind of music I want to make,” he wrote.Īs it turned out, the cereal box dreamer was a natural perfectionist, eventually submitting ‘Possum’ to triple j Unearthed in 2011. His real light bulb moment, though, was hearing Jai Paul’s ‘BTSTU’ for the first time.
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It sounds almost too Wikipedia-perfect, but Streten really did start making beats using free software from a box of Nutri-Grain.īefore that auspicious supermarket shop with his Dad, young Harley learned about hardcore trance from his next-door neighbour’s older brother. Here’s the unfolding story of Flume, from teenage amateur to Australia’s biggest electronic act, in 15 key tracks. (This followed a short lived 140-BPM trance phase.)Īfter countless laptop hours, he had something good enough for triple j Unearthed. Nine years ago, Streten was living with his parents on Sydney’s Northern Beaches, channelling his love of Flying Lotus, Shlohmo and Jai Paul into rudimentary beatmaking. It helps, of course, to have his preternatural talent. You know, regular stuff you do in your 20s.įlume’s stratospheric success is now a touchstone for bedroom producers everywhere. Around those releases, Streten cemented his stardom overseas, playing every festival worth playing, sharing studios with rap royalty and even winning a Grammy for Skin. Those five year gave us Flume’s second album, Skin, two companion EPs, some welcome surprise singles and the Hi This Is Flume mixtape. The homegrown boy wonder last played the festival back in 2014, and a lot has happened since. This October, Harley Streten will fly around the country as Listen Out’s 2019 headliner. While not necessarily dancefloor-oriented, Flume's debut certainly fits into a post-2000s club vibe and DJ culture that borrows liberally, and often with inspired aplomb, from cut-and-paste hip-hop, avant-garde electronic composition, ambient pop, and contemporary R&B.Want more Junkee in your life? Sign up to our newsletter, and follow us on Instagram, Twitter and Facebook so you always know where to find us. On the contrary, Flume has a knack for layering beats, instruments, samples, and vocals in a way that grabs your attention and creates an evocative, somewhat hypnotic mood. Which isn't to say these aren't catchy recordings. More often than not, bits of melodies and lyrics pop up here and there, but tracks never quite gel into a hook in any traditional sense (although a few, like "Bring You Down," have a Dido-like trip-hop/dubstep quality). Working with a bevy of artists including George Maple, Moon Holiday, Jezzabell Doran, Chet Faker, and New York rapper T-Shirt, Flume crafts tracks that are more like soundscapes than actual songs. The debut album from Australian electronic musician/producer Flume, aka Harley Streten, Flume is an atmospheric, experimental mix of electronic dance-oriented sounds that touches upon aspects of R&B, indie rock, and pop.
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